Series

Files of the Disappeared

Ashfika Rahman

2018-ongoing
Photography has the potential to play more than a photograph. It is time to explore that role in society. This project is a initiative to start a social movement to confront fear politics by state. More than 4,000 young people have been picked up randomly by the police in recent years. They were tortured in custody. Some came back, but they are not allowed to speak out. The photo- graphs show the locations where the bodies were found after ‘clashes’ between the police and so- called criminals. The landscapes raise questions about the portraits and their associated reality.

This work is a collaboration with a group of professional psycho counsellor. a meditative documenta- tion on the youth of my country who were falsely accused. Twenty-six years old Alif (pseudonym) was a labourer in Dubai for the last few years. He went back to visit his family in Bangladesh and was arrested the day after he arrived. He has no idea why, especially since he was not even in the country for so long.

My protagonists prefer to be photographed in their own space where they feel safe and comforta- ble with their dearest ones. In custody, different methods of torture are used, both psychological as well as physical. Though psychological torture results in more trauma to the person, it cannot be visualised, only the long-term effect is seen on the person. I try to take my protagonists through a meditative jour- ney with the help of psycho counsellor. Which may allow them to investigate their own anxiety which they kept secret for so long. Illustrating personal emotion in one’s own portrait is a process of healing. Stitching the photographs with golden thread is a symbolic representation of silence in custody. This entire photography process initiated to create that space where my protagonist can come back strong.

The disappearance of people by law-enforcement agencies is an alarming trend not only in Bangladesh or Southeast Asia, it’s also a global concern. It is a threat to human rights and a challenge to law and justice.

Location: North Part of Bangladesh
Detail: Digital Photograph, Stitching on Photograph printed on Paper

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